[Writer-director Kleber Mendonça Filho] crafts a tight story with startling freedom, leaping between characters in order to conjure their fateful interconnections, while giving them all, persecuted and persecutors alike, an identity and a voice.

The New Yorker

Brazil, 1977. Marcelo, a technology expert in his early 40s, is on the run. Hoping to reunite with his son, he travels to Recife during Carnival but soon realizes that the city is not the safe haven he was expecting.