VIRTUAL CINEMA TITLES

Watch new films from home and support Gold Town Theater.

HOW IT WORKS: In a perfect world, all you need to do is click the “virtual ticket” link, which takes you to that film’s proprietary page, where you purchase a pass to watch the movie. And THANK YOU SO MUCH for supporting us at this time!


ONCE UPON A RIVER

Based on the best-selling novel by Bonnie Jo Campbell, Once Upon A River is the story of Native American teenager Margo Crane in 1970s rural Michigan. After enduring a series of traumas and tragedies, Margo (newcomer Kenadi DelaCerna) sets out on an odyssey on the Stark River in search of her estranged mother. On the water, Margo encounters friends, foes, wonders, and dangers; navigating life on her own, she comes to understand her potential, all while healing the wounds of her past. Written and directed by Haroula Rose, this midwestern gothic Americana story is, in the words of Jane Smiley for The New York Times, “an excellent American parable about the consequences of our favorite ideal, freedom.”

DATING AMBER

Set-in Ireland during the mid-90’s, Eddie and Amber decide to stage a relationship in order to stop everyone speculating about their sexuality. Eddie is keen to follow his Dad into the military, while Amber dreams of moving to the liberal hub of London. However, their ‘ideal’ arrangement begins to fall apart, forcing Eddie deeper into denial as Amber realizes that a perilous future awaits her best friend unless she intervenes. DATING AMBER is a love letter to all those kids who grew up in a small town and who needed to escape in order to be themselves.

COMING HOME AGAIN

Acclaimed director Wayne Wang’s (The Joy Luck Club, Chan Is Missing) moving new film, Coming Home Again, is based on a personal essay by award-winning Korean-American writer Chang-rae Lee that was published in The New Yorker. The film’s main character, also named Chang-rae (the charismatic Justin Chon), a first generation Korean-American, returns to his family home in San Francisco to care for his ailing mother (powerful Jackie Chung). Wanting nothing more than to fulfill his role as the supportive son, he must come to terms with his own conflicted emotions.

The film takes place over the course of one full day during which Chang-rae attempts to prepare a traditional Korean New Year’s Eve dinner; like the one his mother always cooked for the family.  The care and precision that goes into preparing this meal gives him time to reflect on the intense relationship between them. Memories become a doorway into a woman who was so much more than the mother he thought he knew. Now, Chang-rae is faced with the dilemma of living with the permanent scars of unresolved family sacrifice, or the risk of opening new wounds as cancer shadows their lives.

TEAM MARCO Opens Oct 30

Young Marco is obsessed with playing video games and hardly leaves the house. But when his grandfather moves in, Marco’s life is turned upside-down and he’s forced…to go play outside. Nonno introduces him to bocce — the world’s oldest game — and to the neighborhood crew of old-school seniors who play daily at the local court. With sport, laughter and love, Marco finds connection to other people “in real life” and rounds up a team of neighborhood kids to take on his grandfather and his pals.

THIS IS NOT A MOVIE: Robert Fisk and The Politics of Truth Opens Oct 30

A fascinating documentary portrait of world-acclaimed British born Beirut-based foreign correspondent Robert Fisk. Fisk’s work is as vital as ever in an era of “fake news,” politicized facts, and the rise of ethno-nationalist politics. A Middle East correspondent for The Independent, Fisk holds more international journalism awards than any other foreign correspondent. For more than 40 years, journalist Robert Fisk has reported on some of the most violent and divisive conflicts in the world. Director Yung Chang captures Fisk in relentless action—feet on the ground, notebook in hand, as he travels into landscapes devastated by war, ferreting out the facts and firing reports back home to reach an audience of millions.

CHUCK LEAVELL: THE TREE MAN Opens Nov 6

Filmed in four countries with more than 80 interviews from artists with a combined 58 Grammy Awards by the artist included, “Chuck Leavell: The Tree Man,” an Allen Farst film, is the cinematic documentary that shines a light on one of the greatest rock’n roll pianists and keyboardists over the last 40 years. Not just known for his musical influence, Leavell is also one of the biggest names in environmental forestry and was selected the National Tree Farmer of the Year in the United States. His commitment to the planet and his strong family ties are refreshing reminders to be kind and treat your neighbor with respect. As Leavell puts it, “if you cut a tree down, plant two for the next guy.”
Featuring: Allman Brothers Dickey Betts and; Warren Haynes; Rolling Stones Mick Jagger, Keith Richards, Charlie Watts and Ronnie Woods; President Jimmy Carter; Eric Clapton; Chris Robinson; Mike Mills; Pat Monahan; John Bell; Lee Ann Womack; Bruce Hornsby; John Popper; Bonnie Raitt; Julian Lennon; Charlie Daniels; Miranda Lambert; John Mayer; and David Gilmore, among others

THE ANTIDOTE Opens Nov 6

Made in response to the times we are living in, THE ANTIDOTE is a feature documentary that weaves together stories of kindness, decency, and the power of community in America. It’s about everyday people who make the intentional choice to lift others up and make their communities better, despite the fundamentally unkind ways of our society — which are at once facts of life in America, and yet deeply antithetical to our founding ideals.

Directed by Academy Award-nominee Kahane Cooperman and six-time Emmy winner John Hoffman, THE ANTIDOTE aims to drive a national conversation about the roles that kindness, decency, compassion and respect play in a civilized, democratic society. While it’s easy to court despair in the face of monumental, structural problems, THE ANTIDOTE tells stories of compassionate people intentionally leveraging the resources within themselves and their communities to give others a chance at a better life. 

RADIUM GIRLS Opens Nov 6

Based on true events, Radium Girls follows teen sisters, Bessie and Jo Cavallo, who dream of Hollywood and Egyptian pyramids as they paint luminous watch dials at the American Radium factory in New Jersey. When Jo loses a tooth, Bessie’s world is turned upside down as a mystery slowly unravels.  She discovers a corporate cover-up and, in a radical coming of age story, Bessie and the Radium Girls decide to take on American Radium. Based on historical events, the national sensation following the notorious case of the Radium Girls in 1928 ultimately led to significant and lasting impact in the area of workplace health and safety and the study of radioactivity.   .

BEASTS CLAWING AT STRAWS Opens Nov 13

A Luis Vuitton bag stuffed full of cash sends a group of hard-luck lowlifes on a desperate chase for the fortune in this pitch-black neo-noir crime thriller. Fish-mongering gangsters, a greasy cop, an “innocent” gym cleaner, a young prostitute, her wife beater of a husband, her ruthless boss and her clueless boyfriend all violently scheme to get their hands on the elusive bag. First time director Kim Yong-hoon’s witty thriller is a beautifully constructed puzzle that with each double-cross, the pieces fall into place. Starring Jung Woo-sung from Asura: City of Madness and Jeon Do-yeon, award winner in Cannes for her lead role in Secret Sunshine.

“A neo-noir with impressive storytelling acumen and stylistic brio to spare, [director] Kim spins an amoral tale of greed and retribution from the ground up, reminding of the pure visceral pleasures a well-wrought genre exercise can still provide.”
– Film Comment  

In Korean / South Korea / 2020 / 108 min.

COLLECTIVE Opens Nov 20

COLLECTIVE follows a heroic team of journalists as they uncover shocking, widespread corruption. After a deadly fire at a nightclub, the mysterious death of the owner of a powerful pharmaceutical firm, and the quiet resignation of a health minister—seemingly unrelated events, all within weeks of each other—the team of intrepid reporters exposes a much larger, much more explosive political scandal. COLLECTIVE is a fast-paced, real-time detective story about truth, accountability, and the value of an independent press in partisan times.

“Hands down, the closest thing we saw at this year’s Toronto International Film Festival to a full-on masterpiece. ABSOLUTELY BRILLIANT.” David Fear, Rolling Stone

Science on Screen presents CODED BIAS Opens Nov 20

CODED BIAS bridges an essential gap in public education about algorithmic justice, where 21st century civil rights and democracy struggles will be fought.  It explores the fallout of MIT Media Lab researcher Joy Buolamwini’s startling discovery that facial recognition does not see dark-skinned faces accurately, and her journey to push for the first-ever legislation in the U.S. to govern against bias in the algorithms that impact us all.

As the world becomes more reliant on algorithmic decision-making in everything from health care to access to essential services, and racial and economic disparities deepen, Coded Bias is more relevant than ever in the continued fight for racial justice.  The topic was recently covered in a NYTimes article, and just in the past weeks, IBM, Microsoft, and Amazon have announced that they will not sell facial recognition to the police.